Can it move, duplicate, or reshape my subject?

No. Within the prepared working frame, the renderer changes only the OKLab color axes of source RGB at that same coordinate. It never shifts, copies, spatially resamples, inpaints, or regenerates a face, arm, body, object, or background pixel, and alpha stays byte-exact in the lossless PNG. A mistaken depth estimate can color the wrong surface, but cannot deform anatomy.

Can I reverse the warm and cool sides?

No. The direction is deliberately fixed to warm-near and cool-far so the control stays predictable. Intensity changes only the strength of that real perceptual color shift; it cannot swap or reverse the two grades. Saturated pixels may receive a restrained shift because gamut compression protects them from newly clipped RGB channels.

Near–Far Split Tone applied to the same source image — The same source image before and after applying Near–Far Split Tone.

Original source image before Near–Far Split Tone — The same source image before and after applying Near–Far Split Tone.

Near–Far Split Tone Photo Filter Online

Apply source-aligned cool-far and warm-near color grading from model-estimated depth. Control the strength, compare the result, and download a finished image from your browser.

Upload a photo for the Near–Far Split Tone effect

Upload an image

Drop a file here, or click to browse

Supported formats include JPG, PNG, GIF, WebP, SVG, HEIC, AVIF, TIFF, RAW, PSD. Maximum file size: 11 MB.

What you can do with the Near–Far Split Tone effect

Review the available effect capabilities before you begin.

Apply the Near–Far Split Tone effect to any photo
Fine-tune the effect strength to taste
Preview your photo live as you edit
Download your edited photo in high quality
Apply Near–Far Split Tone to many photos at once

Use this effect

About the Near–Far Split Tone effect

Near–Far Split Tone estimates relative—not measured—depth, normalises it from the 2nd to 98th percentile, and removes isolated speckles with a 3 × 3 median filter. It applies disjoint cool-far and warm-near color shifts in OKLab around a source-exact neutral middle band. Intensity directly scales the perceptual a/b color shift; lightness is not deliberately changed, and source-relative gamut compression restrains saturated pixels before they create new clipped RGB channels. At its working size, every output pixel uses only same-coordinate source RGB: no image content is moved, copied, spatially resampled, inpainted, or regenerated, framing stays fixed, and working-frame alpha stays byte-exact in the lossless PNG. Larger uploads can be proportionally resized first: the standard free limit is 800 pixels on the long side, and the depth service defaults to a 2048-pixel long side for remaining larger inputs.

How to use Near–Far Split Tone

Upload a photo, adjust the Near–Far Split Tone intensity, compare its processed preview with the source, and download the finished result.

Why use the Near–Far Split Tone effect?

Near–Far Split Tone, tuned to your photo

Use the intensity control to balance the Near–Far Split Tone treatment with the detail and character of your original photo.

A fast Near–Far Split Tone workflow

A reduced Near–Far Split Tone preview keeps adjustments responsive. Free downloads are clean and web-size; Premium or a credit unlocks the original resolution.

Secure Near–Far Split Tone processing

Near–Far Split Tone uploads are processed on secure servers and automatically removed under the normal Pixoate retention policy.

How it works

Processing

Near–Far Split Tone uses an AI action. Any separate allowance is shown before this effect starts processing.

Best for

portraits with clear subject separation, cinematic stills, interiors, travel photography, products, and posters that benefit from restrained warm-near and cool-far color direction.

Less suited to: flat scenes, glass, mirrors, reflections, smoke, fine hair or foliage, overlapping surfaces, already saturated colors, and photographs where exact source color must remain unchanged; uncertain relative depth can tint the wrong surface without moving it.

Ways to use Near–Far Split Tone

Near–Far Split Tone questions

Can it move, duplicate, or reshape my subject?: No. Within the prepared working frame, the renderer changes only the OKLab color axes of source RGB at that same coordinate. It never shifts, copies, spatially resamples, inpaints, or regenerates a face, arm, body, object, or background pixel, and alpha stays byte-exact in the lossless PNG. A mistaken depth estimate can color the wrong surface, but cannot deform anatomy.
Can I reverse the warm and cool sides?: No. The direction is deliberately fixed to warm-near and cool-far so the control stays predictable. Intensity changes only the strength of that real perceptual color shift; it cannot swap or reverse the two grades. Saturated pixels may receive a restrained shift because gamut compression protects them from newly clipped RGB channels.